Categories
(#Alt-)Academia Higher Ed

Speaking with power – as a public good

Next week, GC Director of Media Relations Tanya Domi will join the Futures Initiative for a discussion and hands-on workshop on translating research for broader audiences—and getting it published. (Join us!) One of the major stumbling blocks for academics looking to break into this kind of writing, I think, is feeling confident enough to pitch an idea and strong enough to absorb many potential rejections before something lands. As we prepare for the event I’ve been reflecting on an activity that I led recently for our graduate fellows that had a similar aim of developing confidence in one’s voice.

The activity was part of a professional development session for FI Graduate Fellows. To start it off, I borrowed an exercise from the Op-Ed Project on establishing credibility. I had each person introduce themselves using the template, “Hello, my name is [x] and I am an expert in [y].”

This is a miserable exercise. When I first encountered it as a participant, my heart was pounding as my turn approached, and I felt ill as I began to speak, willing myself to swallow the usual caveats and hedges that I use to undercut myself. When I led the fellows in doing the same, using my own intro as an example, I stumbled even more, feeling deeply uncomfortable to perform in this way among people who know me well (even if they know me *as an expert*).

In both cases, nearly everyone shared my discomfort, even as they spoke beautifully about all that they know and do.

For many of us, it can feel deeply wrong to say that we excel at something. It creates physical discomfort and mental anguish. And yet, this discomfort is precisely what makes the exercise so effective. The degree of discomfort is, in large part, inversely proportional to how much authority participants are accustomed to having when they speak. In many cases women, people of color, and others who are generally not assumed to be experts may be conditioned to position themselves in a way that is more palatable and less threatening. Women know well that asserting authority can be perceived negatively; to avoid that negative perception, we often smooth things over, soften the edges, and defer to others even when we are the expert in the room.

And yet, undercutting one’s own expertise can prevent others from hearing important perspectives and challenging truths that are so needed in public discourse.

The major paradigm shift that I think is important is moving from imposter syndrome—which is always focused on the self, and how one may or may not measure up to others—to a sense of how our knowledge or expertise might benefit some broader public.

This is such an important transition. I hope that the Futures Initiative’s upcoming workshop offers some concrete strategies to help move in that direction. Everyone has something powerful to share; it is the perfect time to make our voices heard.

Categories
Personal Writing

The ups and downs of daily writing

My new year’s resolution for 2012 is to write something or take a photo every day (which, in all honesty, is a bit of a cheat; I’d love to reach a point where I do both daily). I’m setting out to do this for a number of reasons; for one thing, my current position is not one in which I generate much creative work, so I feel a significant lack (which was a big part of why I started this blog in the first place). I also know that engaging in creative work every day eliminates the fear of the blank page, and leads to better work simply by dint of volume. It’s highly likely that in a stack of a thousand photos, at least one of them will be great. In a stack of ten, it’s not so certain.

Sustained engagement in creative activity also makes the process more fluid. With photography, the more photos I take, the better my eye for detail, and the better my muscle memory for creating the perfect settings. With writing, my voice becomes clearer and less forced, and I find that I have more and more that I want to say. I finished my dissertation relatively quickly in part because I wrote every day, and I have had many conversations with students, colleagues, and friends (especially @ekfletch) about treating creative projects as work (rather than as mysterious flashes-of-genius that somehow flow through one’s passive fingers). Still, it’s not easy to do, especially when the goal is more nebulous than a dissertation and has no clear endpoint.

I now have at least three (four?) posts that I have started and not yet finished. I started each because I needed to write something, or because I had finished reading something and wanted to jot down a few thoughts about it, but I haven’t felt committed enough to them to really figure out what I want to say. The unfinished posts are unsettling to me: I like to finish what I start, and I don’t like letting projects linger untouched. What I suspect I need to learn now is which ideas are worth working on, and which ones to drop.

I just read this Wired post by Jonah Lehrer on how we identify our good ideas, and it was a helpful reminder that time away from the thing is one of the most useful tools for separating good work from garbage. It’s something I’ll try to keep in mind, maybe by allowing an extra day between finishing a post and hitting that “Publish” button.